Ïðîñëåæèâàåòñÿ ýâîëþöèÿ âîñïðèÿòèÿ Ðîññèè êàê Äðóãîãî âî Ôðàíöèè, ðàñêðûâàåòñÿ åå çàâèñèìîñòü îò îòíîøåíèé ìåæäó ñòðàíàìè è èõ âíóòðåííåãî ïîëîæåíèÿ, à â ïåðâóþ î÷åðåäü - îò èçìåíåíèÿ öåííîñòåé è èäåéíî-òåîðåòè÷åñêèõ ïîäõîäîâ ôðàíöóçñêèõ íàáëþäàòåëåé - èíòåëëåêòóàëîâ è ïîëèòèêîâ, âîñïðèíèìàâøèõ Ðîññèþ íà îñíîâå ñòåðåîòèïîâ. Îòìå÷àåòñÿ òàêæå ñòåðåîòèïèçàöèÿ «âòîðîãî ïîðÿäêà» â Ðîññèè: äåëåíèå îöåíîê íà ïîëîæèòåëüíûå-îòðèöàòåëüíûå è îáúÿñíåíèå ïîñëåäíèõ ïîëèòè÷åñêîé ïðåäâçÿòîñòüþ àâòîðîâ.

The paper delineates the process of evolution of perceptional stereotypes of Russia as the Other in France and displays how this process was affected by the status of relationship between both countries, their ongoing interior situation, and, above all, by changes in values and ideological and theoretical approaches of French intellectuals and politicians with initially stereotyped vision of Russia. These developments, in their turn, have been able to produce «stereotypes of second order» in the observed (Russian) society, dividing French appraisals of Russia into «positive» and «negative» and explaining the latter by political animosity.

ÀËÅÊÑÀÍÄÐ I, ÅÊÀÒÅÐÈÍÀ II, ÌÎÄÅÐÍ, ÍÈÊÎËÀÉ I, ÎÁÐÀÇ ÐÎÑÑÈÈ, ÏÅÒÐ I, ÏÐÎÑÂÅÙÅÍÈÅ, ÐÎÑÑÈÉÑÊÀß ÈÑÒÎÐÈß, ÐÎÑÑÈß ÏÎÑËÅ 1991 Ã., ÑÎÂÅÒÑÊÀß ÑÈÑÒÅÌÀ, ÔÐÀÍÖÓÇÑÊÀß ÌÛÑËÜ

 ALEXANDER I, CATHERINE II, ENLIGHTENMENT, FRENCH THOUGHT, IMAGE OF RUSSIA, MODERNITY, NIKOLAI I, PETER THE GREAT, RUSSIA AFTER 1991, RUSSIAN HISTORY, SOVIET SYSTEM