ÈÍÈÎÍ ÐÀÍ

 ñòàòüå àíàëèçèðóåòñÿ ìåòîäîëîãè÷åñêàÿ íåîäíîðîäíîñòü àìåðèêàíñêîé ñëàâèñòèêè, èññëåäóþòñÿ íåêîòîðûå åå òåíäåíöèè, îñóùåñòâëÿåòñÿ ñâîåîáðàçíàÿ äåêîíñòðóêöèÿ ñàìîé ñëàâèñòèêè êàê ñïîñîáà «íîâîãî» ïðèñâîåíèÿ ðóññêîé êóëüòóðû.

The authors analyze the heterogeneous character of American Slavic studies and in particular some currents in the quest for Russian identity. A sort of deconstruction of the contemporary American literary criticism as a way of «new» adaptation of Russian culture is made.

ÀÌÅÐÈÊÀÍÑÊÀß ÑËÀÂÈÑÒÈÊÀ, ÈÄÅÍÒÈ×ÍÎÑÒÜ, ÌÅÒÎÄÎËÎÃÈß, ÐÅÖÅÏÖÈß, ÑÒÛÄ